By Christine Joy Ferrer
If you stand at the corner of 24th and Mission in San Francisco and listen closely you can hear its heart beat. Its rhythm echoes from the windows of Dance Brigade’s Dance Mission Theater (DMT). You hear it in the laughter of children dancing and youth bustling. The beat intensifies as you walk up DMT’s stairs with Japanese Taiko drumming and the colorful rhythms of dances from the African Diaspora: Cuban, Haitian, Brazilian, West African. Or maybe, it’s that Vogue and Tone.
Various communities overlap inter-culturally and inter-generationally in this space—drawn together by performances, festivals, and dance that’s accessible to everyone. People hang out in the halls or enjoy the Mission’s warmth on the fire escape. Even when classes have ended for the evening, their brilliant fire stays lit during the booming late night rehearsals of Ramón Ramos Alayo’s Alayo Dance Company or Allan Frias’ Mind Over Matter.
In the interviews on the following pages, DMT’s Krissy Keefer, artistic director of Dance Brigade and Grrrl Brigade, and Stella Adelman, theater/adult program manager, voice their opinions about the current social and economic conditions in San Francisco’s Mission district and DMT’s commitment to its vibrant community at the intersection of arts and politics.