Dozens of U.S. cities erupted in direct action protests following the decision to grant impunity to police who killed Michael Brown in Ferguson and Eric Garner in New York. A new generation of organizers is arising, willing to take risks and break the rules to make social change. They are mounting effective action at street level and building broad coalitions, challenging existing institutions and creating new ones. (Garza, p. 66)*
Racial and Gender Justice
I’m a very old woman. I was born in 1915 in what was later known as the First World War, two years before the Russian Revolution. And because I was born to Chinese immigrant parents and because I was born female—I learned very quickly that the world needed changing.
But what I also learned as I grew older was that how we change the world and how we think about changing the world has to change.
The time has come for us to reimagine everything. We have to reimagine work and go away from labor. We have to reimagine revolution and get beyond protest. We have to think not only about change in our institutions, but changes in ourselves. We are at the stage where the people in charge of the government and industry are running around like chickens with their heads cut off. It’s up to us to reimagine the alternatives and not just protest against them and expect them to do better.
An Interview with Maya Wiley by Ron Shiffman
Maya Wiley is the founder and executive director of the Center for Social Inclusion. A civil rights attorney and policy advocate, Wiley was a senior advisor on race and poverty to the director of U.S. Programs of the Open Society Institute. She has worked for the American Civil Liberties Union National Legal Department, the NAACP Legal Defense and Educational Fund, Human Rights Watch, and the Council on Foreign Relations, among others. She currently serves on the Tides Network Board. Wiley was a contributing author to the National Urban League’s The State of Black America 2006. Ron Shiffman conducted this interview for publication in Beyond Zuccotti Park: Freedom of Assembly and the Occupation of Public Space, published by New Village Press. (See Research and Resources, page 87).
Rocky Rivera (rockyrivera.com) is a hip hop journalist by day and MC by night who found international acclaim by winning a Contributing Editor position on MTV's docu-series, "I'm From Rolling Stone" (2007).
As a pinay, female emcee and artist in the hip hop industry, I deal with misogyny so much. Every time I infiltrate this male circle, I must not fall into the “Here, let me show some skin and get your attention!” because that’s so easy to do. As a woman of color in the industry, you’re marginalized, hyper-sexualized, not allowed to “play” with the boys, and not treated as a peer. The young women who aren’t coming into it with a conscious mind, they’re just hoping to gain acceptance from the mostly male hip hop audience and most times, you’re treated as a novelty.
Smita Nadia Hussain (chaaweb.org)
is a poet, blogger and photographer who serves in leadership capacities
for local young Democrat and API organizations, including Community
Health for Asian Americans (CHAA), the English Center and the National
Asian Pacific American Women's Forum (NAPAWF). She recently traveled
with Habitat for Humanity to build homes in Vietnam.
My parents are from Bangladesh, a country birthed from genocide. People were victimized; tongues were cut off. They wanted independence and were literally fighting for their voice. They demanded the right to speak their language and fought for democracy. When the civil war happened in 1971, a lot of the guerilla fighters were women. Many were executed. Half a million women were raped in nine months. Yet, they still stood up.
Favianna Rodriguez (favianna.com) is a celebrated printmaker and digital artist based in Oakland, California. Her composites, created using high-contrast colors and vivid figures reflect literal and imaginative migration, global community, and interdependence.
As a young Latina I felt invisible. I am the daughter of immigrants and grew up in communities of color most of my life. I felt that my immigrant family, our communities were invisible. Yet, we all carried the brunt of what was happening to the economy in the country and even throughout the world. We were experiencing the effects of injustices in our own community. The injustices I saw as a child, the racism that I experienced via the media or the school curriculum, the xenophobia directed at my parents... angered me in a way that I didn’t have words for. Art became a way for me to talk about those experiences, reframe them, and do something positive. Making art was a way to have a voice and an empowering way to fight back, instead of acting out on my internalized oppression.
Several states across the country have instituted voter identification requirements that force voters to provide proof of identity in order to cast a regular ballot at a polling place. Although these laws passed quietly at first, drawing little to no national attention, they have more recently been the subject of increased national scrutiny and debate.