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Reimagine Everything

From a Speech by Grace Lee Boggs

I’m a very old woman. I was born in 1915 in what was later known as the First World War, two years before the Russian Revolution. And because I was born to Chinese immigrant parents and because I was born female—I learned very quickly that the world needed changing.

But what I also learned as I grew older was that how we change the world and how we think about changing the world has to change.

The time has come for us to reimagine everything. We have to reimagine work and go away from labor. We have to reimagine revolution and get beyond protest. We have to think not only about change in our institutions, but changes in ourselves. We are at the stage where the people in charge of the government and industry are running around like chickens with their heads cut off. It’s up to us to reimagine the alternatives and not just protest against them and expect them to do better.

Conversations on Race and Resistance

By Jess Clarke

Today’s emerging resistance movements can draw on a long and varied history to challenge the reactionary US government. Racial justice organizing has been the leading edge of progressive change for generations, and lessons learned and leadership from Black liberation struggles are key to moving beyond resistance and toward revolutionary abundance.

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(CLAWS) Collaborative Liberation Arts Workshop Series  Spring Session:

 

Movement Metamorphosis  

 

a 5-week workshop series using movement and dance to open to change from within.

Biodanza facilitated by Mirjam Krohne
Five Saturdays,  April 22 — May 20, 2017

12-2 pm

Studio FAB 2525 Telegraph Ave
Oakland, CA 94612

CLAWS is a workshop series in Oakland that aims to create a laboratory where we can:

  • experiment with new forms of collaboration using writing, theater and movement arts.
  • explore how race, class and gender oppression can be resisted and transformed.
  • work with one another inside and outside of sessions to create performance, story, and movement that can energize and liberate—personally and socially.
  • create a community of reflection, performance and action.

To register by postal mail download the pdf

Time Runs Short to Stop SF Public Land Giveaway

Street art by Ivy Jeanne McClelland, part of Clarion Alley Mural Project in San Francisco’s Mission District. cc 2017 Marcy Rein

Community college and low-income residents face big loss of public resource

By Marcy Rein and Christine Hanson

On weekdays the windswept lot next to the main campus of City College of San Francisco (CCSF) can hold close to 1,000 cars belonging to students and teachers. On weekends a motorcycle safety class practices there, as does the marching band from Archbishop Riordan High School. This lot, the Balboa Reservoir, is one of the largest tracts of public land in land-starved San Francisco—and a key arena in the city’s fight to stem displacement of its vulnerable communities and the institutions that serve them.

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The Moving Art House

By Christine Joy Ferrer

Book Mo/Biblio Guagua event at the Portola Branch Library, July 2015. ©2015 Sibila SavageBlanca Gotchez Melara remembers it well. The potent fragrance of basil, black melons and geraniums adorning Nativity dioramas in her hometown of Santa Ana, El Salvador.

The Nacimientos or Nativities were never just Mary, Joseph and the Baby Jesus but a more elaborate arrangement of clay, wax, wood, metal, fabric, and beads depicting the Christ birth. The main focus was the replication of a whole town with three-dimensional illustrations from one’s daily life in a variety of scales, symbolizing one’s connection to one’s environment relative to the Nativity. The dioramas could include, among the biblical scenes, figurines of women making tortillas, farmers milk

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